Explorations in Renaissance Culture
The Albert W. Fields Award

Honored Recipients:

Heather L. Sale Holian, "The Claiming Crown: Politics, Dynasty, and Gender in State Portraits of Medici Women." EIRC 36.2 (Winter 2010): 181-213.

Ruben Espinosa, "'Can no prayers pierce thee?': Re-imagining Marian Intercession in The Merchant of Venice." EIRC 35.2 (Winter 2009): 172-93.

Elisa Oh, "Refusing to Speak: Silent, Chaste, and Disobedient Female Subjects in King Lear and The Tragedy of Mariam." EIRC 34.2 (Winter 2008): 185-216.

Alison V. Scott, "Toward a Reevaluation of the Bower of Bliss: The Taxonomy of Luxury in The Faerie Queene, Book Two." EIRC 33.2 (Winter 2007): 220-51.

James S. Baumlin. "Reading Donne's 'Communitie'." EIRC 32.1 (Summer 2006): 50-75.

Nancy Mohrlock Bunker, "Feminine and Fashionable: Regendering the Iconologies of Mary Frith's 'Notorious Reputation,' " EIRC 31.2 (2005): 211-57.

Mark J. Zucker, "Homeliness and Humor in Renaissance Italy: Tales of Ugly (and Witty) Artists and Other Paragons of Ugliness." EIRC 30.2 (Winter 2004): 231-59.

Gerald MacLean, "On Turning Turk, or Trying To: National Identity in Robert Daborne's A Christian Turn'd Turke." EIRC 29.2 (2003): 225-52.

Corinne Mandel, "Magic and Melancholy at the Vatican Library." EIRC 28.1 (Summer 2002): 31-74.

Zenón Luis-Martínez, "'Maimed Narrations': Shakespeare's Henry VIII and the Task of the Historian." EIRC 27.2 (2001): 205-43.

Marina Della Putta Johnston, "The Science of Art and the Art of Science: Leonardo's Authorial Strategy in Codex Madrid I." EIRC 26 (2000): 229-55.

Rachel Hostetter Smith, "Providence and Political Innocence: The Ballottino in Venetian Art and Ideals." EIRC 25 (1999): 41-65.

Karl Josef Höltgen, "Clever Dogs and Nimble Spaniels: On the Iconography of Logic, Invention, and Imagination." EIRC 24 (1998): 1-36.

Peggy M. Simonds, "Husband Beating in English Iconography: The Special Case of the Montacute House Mural." EIRC 23 (1997): 37-52.

Michael W. Price, "'offending without witnes': Recusancy, Equivocation, and Face-Painting in John Donne's Early Life and Writing." EIRC 22 (1996): 51-81.

Mark Thornton Burnett, "'Fill Gut and Pinch Belly': Writing Famine in the English Renaissance." EIRC 21 (1995): 21-44.